Revisiting Postwar Theater Television

William Boddy (City University of New York)

“Counting” Informal Media Industries

Jade Miller (Wilfrid Laurier University)

Broad-Based Stakeholder Ownership in Journalism: Co-ops, ESOPs, Blockchains

Nathan Schneider (University of Colorado Boulder)

Misunderstanding Raymond: Cultural Technology and Knowledge Transfers in Transnational Scripted Format Production

Jeffrey Brassard (University of Alberta)

Book Review: Adventures of a Jazz Age Lawyer: Nathan Burkan and the Making of American Popular Culture.

Review by Tad Hershorn (Rutgers University–Newark)

Book Review: Aggregating the News: Secondhand Knowledge and the Erosion of Journalistic Authority

Review by Ruth Moon (Louisiana State University)

Book Review: Distributed Blackness: African American Cybercultures

Review by Ravynn Stringfield (College of William & Mary)

Book Review: Only at Comic-Con: Hollywood, Fans, and the Limits of Exclusivity

Review by Tanya D. Zuk (Georgia State University)

Book Review: Seeing by Electricity: The Emergence of Television, 1878–1939

Review by Laura C. Brown (The University of Texas at Austin)

Trapped in Reality: Justification and Capitalism in the Discourse of Reality TV Creators in Israel

Noa Lavie (The Academic College of Tel Aviv-Jaffa)

Financial Sustainability and the Demise of the Egyptian Blogosphere

Nadine El Sayed (The American University in Cairo)

Set for Success: Hollywood Runaway Productions in Socialist and Post-socialist Hungary

Omar Sayfo (Utrecht University)

Media Industries in Global Frames: Craft, Collaboration, Competition—Introduction

Darrell William Davis (Lingnan University)

Changing Business Models in the Media Industries

Nobuko Kawashima (Doshisha University)

Post Americana: Twenty-First Century Media Globalization

Michael Curtin (University of California, Santa Barbara)

“If Globalization Is Happening, It Should Work Both Ways”: Race, Labor, and Resistance among Bollywood’s Stunt Workers

Pawanpreet Kaur (Jawaharlal Nehru University, New Delhi)

Crafting a World-Class Brand: Shaw Brothers’ Appropriation of Foreign Models

Erica Ka-yan Poon (Lingnan University)

Resource Review: ABI/INFORM and Business Source

Review by Diana King (University of California, Los Angeles)

Book Review: Comic Books Incorporated: How the Business of Comics Became the Business of Hollywood

Review by Matt Boyd Smith (Georgia State University)

Book Review: Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry

Review by A. Luxx Mishou (United States Naval Academy)

Book Review: Locked Out: Regional Restrictions in Digital Entertainment Culture

Review by Nicole Hentrich (The University of Michigan)